Tuesday, February 28, 2012

STEVE LOMPREY / NEW WORK March 2nd - April 6th

STEVE LOMPREY'S newest work will be at THE WALL GALLERY beginning March 2nd. 
The show will be up March 2nd - April 6th. It will coincide with the Oakland 
Art Murmur's first friday this March 2nd from 5:30 - 9:30. Hope to see you there!
Otherwise, you can come by anytime from 1- 5 pm Fridays and Saturdays, the doors will 
be open.  Click on the picture to see it larger. 






Saturday, February 4, 2012

JOHN HERSEY / NEW Paintings Fri. Feb 3rd - March 2nd


For the month of February John Hersey will be showing his portrait series. The arrow painting
has an additional layer of blue arrows this month. At a certain point it went from the painting to
the people themselves. 






















Tuesday, January 3, 2012

JOHN HERSEY / Paintings and Prints opening this Friday January 6th through February 3rd

John Hersey will be showing his paintings and prints starting this Friday Jan 6th. The show will be up through Feb 3rd. John is a pioneer in the digital art world. For this show he will be going analog with handpainted watercolors, paintings, prints and mixed media. Come down and see John's opening which coincides with the Oakland Art Murmurs first friday...this friday the 6th from 5:30pm-9:30pm. The Wall Gallery is located at 473 25th street between Telegraph and Broadway in downtown Oakland (right below Vessel gallery) Hope to see you!!!








Wednesday, November 30, 2011

STEVE LOMPREY / Paintings through January 6th

Steve Lomprey will be showing his paintings beginning this friday Dec. 2nd. The show 
will be up through this month to January 6th. It will coincide with the Oakland Art
Murmur's first friday on December 2nd from 5:30-9:30. Hope to see you there!














Thursday, October 6, 2011

ANDREW MARCUS / Paintings Through Nov. 4th

My work, DISAPPEARANCE, is a transdisciplinary inquiry into dilemmas of being in time and space. In my paintings, such dilemmas play out as dramatic interactions, to be completed by a viewer’s conscious engagement. Paint and planar limits combine as the object of mediation. My erotic gesture, to play temporally with the moment or spatially at the edge of form as it arises and dissolves, may be framed as a question:  By what means does beauty attain primacy of place in the world?